Part of a 12-part course on reading rhythm.
3 rules for reading rhythm
Let’s do an experiment.
I’m going to give you 3 rules about rhythm notation, and then we’re going to analyze my arrangement of Beethoven’s “Ode to Joy” from my Intermediate Classical course and see how many others we can work out.
Here are the 3 rules, true for all pieces:
- the 1st note* after a bar line is always on the 1st beat of the bar
- the length of a note* tells you when the next note* is happening
- if 2 notes* are vertically above each other on the staff they’re played at the same time
*(or rest)
And in this particular piece the bottom note of the time signature is a 4, so:
𝅘𝅥 = 1 beat
(If the note image is not displaying on your browser, click here to see it.)
(Consult my note lengths chart again if that doesn’t sound familiar.)
Ready? Okay, let’s go.
Counting beats in a bar
So we were actually able to work out that if
𝅘𝅥 = 1 beat
then
𝅝 = 4 beats
𝅗𝅥 = 2 beats
and
𝅘𝅥𝅮 = ½ a beat
(If the note images are not displaying on your browser, click here to see them.)
In other words, we worked out the first 4 rows of the chart I showed you in the previous tutorial (again, click the image to download the PDF):

Plus we worked out that:
- a dot after a note multiplies its length by 11⁄2
So if
𝅘𝅥 = 1 beat
then
𝅘𝅥 . = 11⁄2 beats
and if
𝅗𝅥 = 2 beats
then
𝅗𝅥 . = 3 beats
They’re called dotted notes and require a mini-post all to themselves.